Raul Kingsford

The big purpose of this episode is to find Ivor's lair out in The Far Lands to find an enchantment book that has the power to destroy the command block that is still lingering inside of the Witherstorm. In a scene with both Soren and Ivor, Jessie discovers that the storm is following the amulet that Gabriel had given him and with that, Axel takes it upon himself to hold onto the amulet while Jessie retrieves the enchantment book. The group collectively agrees that Axel and another member of the Order of the Stone will return to Soren's lair where the Enderman that Soren has collected can help in disassembling the Witherstorm as they had all witnessed them do in an earlier scene. While they are doing that, the plan is to then forge a weapon and fuse the enchantment book with it but in Jessie's fight to do so, he is separated from Ivor who is helping everyone escape from a few lingering witches. Alone and lost, it is up to Jessie and his friends to pass through to Ivor's lair, which happens to be riddled with booby traps and mazes, and return in time to defeat the storm.The episode in itself offers a lot of promise for the rest of the announced episode, but it also cuts them short. The next slew of episodes will be adding new story arcs to the new Order of the Stone as they go on new adventures to build up their legacy. That being said, in the two hours it took to finish the episode to its completion, it made the entire premise feel very unimportant. So much had happened and so much story and character development was involved that Telltale could have made the entire plot itself into a single season if they wanted to. Some characters could have definitely used some development to give the story a little more depth and the entirety of Sky City itself has so much more that could have been explored. It's a little bit of a shame that what could have become a great season based on the new Order of the Stone's adventures was downgraded into a single episode that takes place over the course of about two days.In a way its reminiscent of the film industry in the '90s, when guys like Quentin Tarantino were causing as much buzz as names like Steven Spielberg, and for a fraction of the cost. It was a time when film studios were snatching up every indie film they could get, while others like Miramax were becoming among the most successful around for being known as the home of daring new independent films that not only excited audiences with their infinite artistic possibilities, but equally thrilled their producers with insane profit margins.They were the icons of an era when gaming exclusives drew lines in the sands and led to some of the fiercest playground battles over system loyalty the industry would ever see. Sonic/Sega fans would push and say "Sonic games are faster, and therefore better. Plus, we've got blood in Mortal Kombat." The Mario/Nintendo loyalist would throw sand in their foe's eyes and retort, "oh yeah? Well Mario's about the adventure, and so is Final Fantasy." It was a time when you usually owned only one system, and you owned it because you would only get certain games. It was...well kind of a glorious age.Someone needs to have a nice sitdown with the gaming industry about VR and what it can and can't do. The ability to transport the viewer inside a scene is incredible, and if that scene happens to be in the cockpit of some kind of ship, then it opens up a whole range of movement options that would otherwise be a bad idea. Putting the player behind the eyes of a protagonist who walks around freely in the standard FPS viewpoint, on the other hand, Ditto Transformation is something that has only sounded awesome. It's hasn't been. Really, seriously, it's kind of sucked, and while wanting it to be different won't change that, clever viewing systems just might. So now Minecraft has official VR support, and it's taken an interesting approach to the presentation that's a little awkward but usable.The problem is that VR is such an incredibly tempting target that it's nearly impossible to not experiment with applying it to the FPS experience. (For the sake of argument, lets call any first-person game you move around in an FPS experience, even if no shooting is involved.) The incredible presence is still wonderful even after repeated exposure, and who wouldn't want to feel the full sense of scale of the world they're gaming inside? VR Minecraft? After the hundreds of hours I've put into that game it sounds like the best idea ever, except for the small issue outlined in the previous paragraph. On the plus side, Microsoft and Mojang haven't ignored the problem, and while one viewing mode is self-defeating and another a guaranteed ticket to quick nausea, the recommended VR controls actually work. It's awkward and jerky, but actually allows the game to be played with no discomfort.On the plus side, once you're in the Minecraft world the sense of scale is truly fantastic. Everything seems bigger somehow, more immediate and solid. A pit in a cave that would be little more than a hazard to plop a staircase onto is all of a sudden an ominous presence waiting to see you fall into its depths. Hills are more imposing, cliffs shoot dangerously into the sky and canyons are massive rifts in the earth, and the oceans go down forever. Even the standard block has a sense of mass, with its one meter cube transformed into a substantial chunk of scenery. Another side effect of the new sense of scale is that combat has become a little easier because the strike distance is so obvious. The move to VR has done a great job of freshening up an experience I've been done with for several years now, which is an impressive feat. While I'm still not completely sold on the viewing solution, it's something that works for now until a better idea is implemented.