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Valérie Kaprisky as Ethel in La Femme Publique (Andrzej Żuławski, 1984) is some other gorgeous exercise. Ethel transforms and traverses Gallic house servant and the urban landscape painting in draped thigh-split up dresses, revealing a implicative want of underclothes. From Sybil Seely’s thick, nigrify undergarments in One Week (Edward VI F Cline, Baby buster Keaton, 1920) – an exact depiction of the era’s necessary, sturdy housewifing deck out – to ...
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