Audio becomes the main problem with 3G2 files because they typically depend on AMR, a codec created for old mobile phone networks rather than for reliable editing or playback today, using aggressive compression that keeps only speech-critical frequencies so voice could travel across weak 2G and 3G connections, making it efficient then but poor by modern standards; once newer codecs like AAC and Opus appeared and devices became faster with more storage, AMR’s purpose faded, and licensing plus tel...

Audio becomes the main problem with 3G2 files because they typically depend on the AMR format, a codec created for old mobile phone networks rather than for reliable editing or playback today, using aggressive compression that keeps only speech-critical frequencies so voice could travel across weak 2G and 3G connections, making it efficient then but poor by modern standards; once newer codecs like AAC and Opus appeared and devices became faster with more storage, AMR’s purpose faded, and licensi...

The biggest challenge in 3G2 files is the audio, because most depend on AMR compression, originally built for early mobile networks rather than for editing or high-quality playback, using intense compression that removes most non-speech frequencies so voice could transmit over unstable 2G/3G links, making it useful then but outdated now; newer codecs like AAC and Opus outperform it easily as phones gained storage and faster networks, and since AMR was tied to telecom standards and licensing rule...

The largest difficulty with 3G2 files is audio because most contain AMR, a codec made for old mobile phone networks that compresses heavily to preserve speech at low bitrates, stripping away most non-voice frequencies so audio could travel over weak 2G/3G links, which worked then but is outdated now; newer codecs like AAC and Opus replaced it as devices and networks improved, and due to licensing and telecom-focused design, modern systems dropped native AMR support, causing many 3G2 files to pla...

Audio is the biggest issue in 3G2 files because most rely on AMR audio, a format built for early mobile networks rather than long-term playback or editing, using heavy compression that preserves only voice-range frequencies to work over unstable 2G and 3G signals, making it fine for calls but unsuitable for modern multimedia; as technology improved and codecs like AAC and Opus emerged with better quality and efficiency, AMR’s relevance faded, and due to telecom-specific standards and licensing l...